Busy weekend for jazz in Philly, Fellow Travelers. Saturday afternoon, the LiveJazz Journey will take us to the inaugural Center City Jazz Festival. We’ll head out to the ‘burbs in the evening to experience Bobby Zankel’s Warriors of the Wonderful Sound, with special guest Muhal Richard Abrams at Montgomery County Community College. Trombonist Ernest Stuart deserves all sorts of kudos for putting the CCJF together. The DIY showcase for some of Philly’s homegrown and now-based-here talent extends the City’s rich jazz legacy. The festival unfolds at four venues within easy walking distance in the heart of downtown (we call it Center City, here, just so you know). Right now, I’m planning a mix that includes songstress Denise King at Chris’ Jazz Cafe, Ernest Stuart at Milkboy, and bassist Alex Claffy at Fergie’s Pub, but just like the music itself, I’m allowing myself space to improvise. Really wish I could stay for another set, but I cannot miss the chance to see legendary pianist/composer/orchestra leader Muhal Richard Abrams with the Warriors. They’ll be premiering a new piece that Abrams has written expressly for the adventurous big band. Abrams is one of the co-founders of the famed Association for the Advancement of Creative Musicians (AACM), around which much phenomenally innovative Chicago talent coalesced, including Amina Claudine Myers, Henry Threadgill, and members of the Art Ensemble of Chicago. Many years ago, I saw Muhal leading his own orchestra at the Kennedy Center, so I will be front-and-center with my camera on Saturday night. Have a great weekend, y’all – go out and see some live jazz!
Busy, busy week, Fellow Travelers! I’m getting this post to you days later than I intended. Nonetheless, I’m excited to share pix from the outstanding Kenny Barron Trio concert. The weather was just perfect – sunny and warm – as I traveled down to Baltimore on Sunday (the 15th) to see the show. The Baltimore Chamber Jazz Society was closing out its 21st anniversary season and with a full house at the Baltimore Museum of Art. Inspired by the City’s renowned Left Bank Jazz Society, BCJS launched in 1991 to present stellar jazz ensembles in an intimate concert setting.
Pianist extraordinaire. Educator. Composer. Kenny Barron is one of those gifted and accomplished artists with an impressive list of accolades. Among the highlights: NEA Jazz Master (2010), nine Grammy nominations, Mid Atlantic Arts Foundation Living Legacy Jazz Award (2008), multiple Jazz Journalists Association Best Pianist honors, and numerous jazz readers and critics polls. During his 50+ year career, the native Philadelphian has played with many of the most significant artists in mid-century jazz, including Roy Haynes, James Moody, Dizzy Gillespie, Milt Jackson, Sonny Stitt, Ron Carter and Yusef Lateef – whom he credits as an influence on his approach to improvisation (the essence of jazz, no?). The 1980’s found him collaborating with Stan Getz and founding the Thelonious Monk-inspired quartet Sphere with Buster Williams, Ben Riley and Charlie Rouse. I could go on and bring you into the 21st century, Fellow Traveler, but his bio says it all.
Fast forward to Sunday’s concert in Baltimore, where he was joined by gifted musicians Kiyoshi Kitagawa on bass and Johnathan Blake on drums. Kitagawa has been performing in the States since 1988 with a stellar roster of musicians and was with the Jimmy Heath Quartet for more than 10 years. With a Masters degree from Rutgers University (where Barron was on the faculty from 1973-2000), Blake is the youngster of the group. Music is in his genes, though: the Philadelphia native is the son of jazz violinist John Blake. Altogether, the Trio is the embodiment of elegance. Their repertoire included compositions by Baltimorean Eubie Blake, Thelonious Monk, Kenny Barron originals, and more. Their playing was lyrical, heartfelt and inspiring. At times, it was downright cinematic; not surprising, considering that Barron has written a film score or two. As I write this post, I’m uploading a video to YouTube of Barron taking a solo turn. Give it a listen when you get a chance. Meanwhile, hope you enjoy the slideshow.
As I hit the road headed to Marlboro, NY to see the Billy Hart Quartet recently, I wasn’t quite sure what to expect. I had never heard of Marlboro, a hamlet in the Hudson River Valley about an hour-and-a-half outside of NYC (and to my knowledge, I had never set foot inside a hamlet). I found the intriguingly eclectic Live @ The Falcon music series online, saw that the Billy Hart Quartet would be playing on April 10 and added the show to the LiveJazz Journey. The weather was gorgeous as I set my GPS to the scenic route and headed out from Philly.
Billy Hart is one of those legendary musicians I’ve heard about over the years from gigs with many of the giants of modern jazz, including Herbie Hancock, McCoy Tyner, Wayne Shorter, Miles Davis, Hamiet Bluiett, and Stan Getz, but truth be told, I had no idea what he was like as a leader. Boy was I in for an awakening! His stellar Quartet includes pianist Ethan Iverson, a member of The Bad Plus trio; saxophonist Mark Turner; and bassist Ben Street.
The Quartet is touring in support of its new release, All Our Reasons, a gorgeous recording that you can find in the usual places. As exciting as the album is, there’s nothing like seeing the interplay among these elegant, skillful musicians in a live performance. Hart’s drumming is masterful: fluid, inventive and propulsive, and his respect for his fellow players was evident in every interaction. He is naturally charming and gracious and in this interview, he tells us a bit about his background, how the Quartet formed and his seminal influences. Billy Hart is a giant walking among us, whose music carries the history of jazz and expresses it in a fresh and modern light.
Hope these photos give you some idea of how fantastic the concert was! (To stop the slideshow, hover your cursor over one of the image and you’ll see the player’s controls. Hit the stop button and scroll through at your leisure.)
Wow! The response to the LiveJazz Journey post on the Bohemian Caverns Jazz Orchestra has been wonderful! Thank you so much. Delighted to share with you an update, courtesy of BCJO trumpeter and co-founder/co-leader Joe Herrera (pictured left). Joe ran a big band in Arizona for three years. When he moved to the District, it was natural for him to think about replicating that experience. He connected with Brad Linde, who reached out to Bohemian Caverns owner Omrao Brown and the BJSO was born. So, here’s the line-up from April 2nd: Saxes: Brian Settles – Alto Sax, Sarah Hughes – Alto Sax, Elijah Balbed – Tenor Sax, Leigh Pilzer – Tenor Sax, Brad Linde – Baritone Sax. Trombones: Corey Wallace, Steve Shaw, Mike Matarazzo and Shannon Gunn. Trumpets: Mike Davis, Joe Herrera, Donvonte McCoy and John Williams. Rhythm Section: Dave McDonald – Drums, Eliot Seppa – Bass, Dan Roberts – Piano and Rodney Richardson – Guitar.
The BCJO’s 2nd anniversary is coming up April 16 and given the orchestra’s extensive repertoire, the many remarkable musicians living in the DMV (that’s DC, Maryland and Virginia) and the City’s warm embrace (consistently selling out Monday nights!), I’m thinking they’ll be around for many years to come.
Week One: Bohemian Caverns Jazz Orchestra
Thanks for joining me on this LiveJazz Journey! For the next 52 weeks, I will be checking out a live jazz show in a different city each week. From Seattle to Miami, Boston to L.A. and dozens of points in between, I plan to explore and share with you the wide-ranging diversity of this music we call jazz. And what better month to begin than April, Jazz Appreciation Month?
To get this party started, I traveled to my hometown, Washington, D.C. and checked out the Bohemian Caverns Jazz Orchestra on April 2nd. Located in the heart of the still-evolving U Street corridor, which used to be known as America’s “Black Broadway,” Bohemian Caverns is an anchor of the City’s vibrant jazz scene. The neighborhood holds a special place in my heart. From 1994-1998, I was the first executive director of the U Street Theatre Foundation, which operates the historic Lincoln Theatre – one of three theaters that earned the aforementioned appellation in the early part of the 20th century. The neighborhood’s resurrection so many years after being devastated by riots in the wake of Dr. King’s assassination in 1968 and subsequent years of blight is an urban success story in many regards.
The 17-piece Bohemian Caverns Jazz Orchestra has staked a claim on Monday nights in the District. Founded by Bohemian Cavern owner Omrao Brown and baritone saxophonist Brad Linde, this nimble large ensemble moves effortlessly through the big band canon and then some! It was hard to keep track of the playlist with my camera in hand, but the audience was treated to fresh arrangements of tunes by Wes Montgomery, Count Basie and a few originals from BCJO members. Linde shares the music director chair with trumpeter Joe Herrera and the two of them see to it that the ensemble swings with sophistication and verve.
Bohemian Caverns has a remarkable history and it was exciting to see the Orchestra enjoying a standing-room-only house on a Monday night. Granted, the space is intimate and as you’ll see from the photos, the décor definitely evokes a cavern. The vibe is anything but spooky, though. As one of three rooms in the three-story venue (the second floor is a restaurant and the third floor is home to Liv, another performance space/lounge), it feels more like a black box theater than a smoky jazz club. If you’re heading to D.C. for business or a quick getaway, definitely put seeing live jazz at Bohemian Caverns on your must-do list.